585 Free Images of Engravings Of Mythology In The Metropolitan Museum Of Art

prints of mythology in the metropolitan museum of art prints by master of the die story of cupid and psyche designed by michiel coxie prints by antonio salamanca rogers fund - prints master of the die the elisha whittelsey collection michiel coxie agapito franzetti baroque

Apollo wearing a mantle and holding a laurel branch and violin, John Boydell, 1784

prints by simone cantarini john boydell

Galatea escaping Polyphemus; he is seated on a rock holding a staff and pipes and looking towards Galatea at right riding a shell pulled by two dolphins, Cupid flying above, Marco Dente, circa 1515–27

prints by marco dente in the metropolitan museum of art prints of mythology in the metropolitan museum of art

Dejanira being abducted by the centaur Nessos, a man with bow and arrow at right, after Reni, Guido Reni, between 1800 and 1840

prints after guido reni in the metropolitan museum of art baroque

Cupid asleep, resting his right arm on his quiver and his left arm on his bow, an oval composition, after Reni, Francesco Curti, 1640–60

prints after guido reni in the metropolitan museum of art francesco curti

Apollo and the Muses, Maarten van Heemskerck, 1549

engravings by maarten van heemskerck mannerism

Jason and the Dragon, Salvator Rosa, circa 1663–64

engravings by salvator rosa baroque

Galatea escaping Polyphemus; he is seated on a rock holding a staff and pipes and looking towards Galatea at right riding a shell pulled by two dolphins, Cupid flying above, Marco Dente, circa 1515–1600

prints by marco dente in the metropolitan museum of art anonymous, italian, 16th to early 17th century

Plate 32: Cupid and Psyche in the nuptial bed, from the Story of Cupid and Psyche as told by Apuleius, Michiel Coxie, 1530–60

prints by antonio salamanca prints by master of the die

Plate 10: Nymphs dressing Psyche's hair, from the Story of Cupid and Psyche as told by Apuleius, Master of the Die, 1530–60

prints by antonio salamanca prints by master of the die

Plate 9: Cupid and Psyche on a bed, from the Story of Cupid and Psyche as told by Apuleius, Master of the Die, 1530–60

prints by antonio salamanca prints by master of the die

A satyr and a ram attacking each other, the satyr weilding a club with his right hand, a shield resting against a small column at center, buildings in the background, Marco Dente, circa 1515–27

prints by marco dente in the metropolitan museum of art joseph pulitzer bequest

Eros escaping by sea using his bow to propel a boat made from his quiver with an arrow as the mast and his blindfold as the sail, a banderole above, Marco Dente, circa 1515–27

prints by marco dente in the metropolitan museum of art the elisha whittelsey collection

Apollo standing at left shooting a python with an arrow, above to the left are the muses and at right on a cloud Cupid approaching Apollo, from the 'Story of Apollo and Daphne', Baldassare Peruzzi, 1530–60

prints by master of the die high renaissance

Apollo seated at the right with a lyre, pointing to a kneeling man who is about to flay Marsyas tied naked to a tree at left, Master of the Die, 1530–60

prints by master of the die philippe thomassin

Diana Sourtant du Bain (Diana Leaving the Bath), François Boucher, 1864

prints by françois boucher rococo

Naissance et Triomphe de Venus (The Birth and Triumph of Venus), François Boucher

prints by françois boucher rococo

Bacchus surrounded by Putti, a statue of Priapus at right, Master of the Die, 1530–60

prints by master of the die prints by antonio salamanca

Plate 27: Proserpina gives Psyche the box of beauty, from 'The Fable of Cupid and Psyche', Michiel Coxie, 1530–60

story of cupid and psyche designed by michiel coxie prints by master of the die

Hercules with his club in center fighting a centaur, other men fighting centaurs to left and right, from 'The labors of Hercules', Hans Sebald Beham, 1542

labours of hercules, set of engravings by sebald beham german renaissance

Bacchus standing in a niche holding grapes in his raised right hand, fruit in his left hand, a dog lower right, Marco Dente, circa 1515–27

prints by marco dente in the metropolitan museum of art prints of mythology in the metropolitan museum of art

Satyr whipping a nymph, who is shown from behind and bound to a tree, a second satyr bearing a club stands in the middle ground, Agostino Carracci, circa 1590–95

le lascive (carracci)nymphs and satyrs

Plate 12: Psyche's sisters persuading Psyche that she has been sleeping with a serpent, from the Story of Cupid and Psyche as told by Apuleius, Master of the Die, 1530–60

prints by antonio salamanca prints by master of the die

Plate 24: Venus and Psyche standing at right, pointing to the underworld at center, into which Psyche enters, from the Story of Cupid and Psyche as told by Apuleius, Master of the Die, 1530–60

prints by antonio salamanca prints by master of the die

Plate 23: Psyche on the order of Venus departing to find the golden fleece, from the Story of Cupid and Psyche as told by Apuleius, Master of the Die, 1530–60

prints by antonio salamanca prints by master of the die

Plate 11: Psyche offering presents to her sisters who also appear on the clouds at upper right, from the Story of Cupid and Psyche as told by Apuleius, Michiel Coxie, 1530–60

prints by antonio salamanca prints by master of the die

Plate 1: Apuleius changed into a donkey, listening to the story told by the old woman, from the Story of Cupid and Psyche as told by Apuleius, Michiel Coxie, 1530–60

prints by master of the die matteo gregorio rossi

Plate 136: Circe Changing Picus into a Bird (Circes concubitum detestatur Picus), from Ovid's 'Metamorphoses', Antonio Tempesta, 1606

antonio tempesta - metamorphoses of ovid renaissance

Tomyris, shown nude from behind, placing the head of Cyrus into a sack held by a soldier, the decapitated body of Cyrus on the ground at her feet, from a series of four mythological scenes, Georg Pencz, circa 1539

a rainha tômiris com a cabeça de ciro ii by georg pencz prints in the metropolitan museum of art

Apollo in his horse-drawn chariot at the left, above him above Jupiter hurls a thunderbolt, Venus at right in her chariot drawn by animals, Master of the Die, 1530–60

prints by master of the die prints by raffaello sanzio

Plate 2: People rendering divine honors to Psyche, from the Story of Cupid and Psyche as told by Apuleius, Master of the Die, 1530–60

prints by master of the die prints by antonio salamanca

Plate 14: Psyche kneeling in the foreground as Cupid flees from her, from the Story of Cupid and Psyche as told by Apuleius, Master of the Die, 1530–60

prints by antonio salamanca prints by master of the die

Plate 27: Proserpine give Psyche the box of beauty, from the Story of Cupid and Psyche as told by Apuleius, Master of the Die, 1530–60

prints by antonio salamanca prints by master of the die

Plate 19: Ceres at right, leaning on a pedestal, refusing to assist Psyche, from the Story of Cupid and Psyche as told by Apuleius, Michiel Coxie, 1530–60

prints by antonio salamanca prints by master of the die

Plate 29: Cupid begging Jupiter to have mercy on Psyche with Mercury at left, from the Story of Cupid and Psyche as told by Apuleius, Michiel Coxie, 1530–60

prints by antonio salamanca prints by master of the die

Venus ordering Psyche to take water from a fountain guarded by dragons, from the 'Fable of Cupd and Psyche', Master of the Die, 1530–60

story of cupid and psyche designed by michiel coxie prints by master of the die

A partly naked bacchante playing a tambourine, set against a black background inside a rectangular frame, Domenico Del Frate, circa 1795–ca. 1820

domenico del frate vincenzo feoli

Plate 8: Psyche seated at a table and attended by invisible servants, Eros beside the goddess, from 'The Fable of Cupid and Psyche.', Michiel Coxie, 1530–60

prints by master of the die prints by antonio salamanca

Plate 13: Psyche looking at Cupid, from the Story of Cupid and Psyche as told by Apuleius, Michiel Coxie, 1530–60

story of cupid and psyche designed by michiel coxie rogers fund - prints

labours of hercules, set of engravings by sebald beham german renaissance

Orpheus Instructing a Savage People in Theology and the Arts of Social Life, James Barry

prints of mythology in the metropolitan museum of art james barry

Apollo holding pipes in his right hand accompanied by Pegasus, Angelo Falconetto, 1556–60

works after giulio romano angiolo falconetto

Apollo, Pan, and a putto blowing a horn, from a series of eight compositions after Francesco Primaticcio's designs for the ceiling of the Ulysses Gallery (destroyed 1738-39) at Fontainebleau, Giorgio Ghisi, 1560s

works after francesco primaticcio giorgio ghisi

Apollo, Pan, and a putto blowing a horn, from a series of eight compositions after Francesco Primaticcio's designs for the ceiling of the Ulysses Gallery (destroyed 1738-39) at Fontainebleau, Giorgio Ghisi, 1560s

works after francesco primaticcio giorgio ghisi

A bacchante wearing a hooded shawl and holding a box in her left hand, set against a black background inside a rectangular frame, Antonio Ricciani, circa 1795–ca. 1820

agapito franzetti luigi agricola

Mercury Entering Herse's Room After Changing Agraulos to Stone, from Ovid, Metamorphoses, Book II, Hendrik Goltzius, 1590

prints by hendrick goltzius mannerism

A satyr and a ram attacking each other, the satyr weilding a club with his right hand, a shield resting against a small column at center, buildings in the background, Marco Dente, circa 1515–27

prints by marco dente in the metropolitan museum of art prints of mythology in the metropolitan museum of art

Hercules Slays Diomedes and his Flesh-Eating Mares (Apollodorus, II, 5, 8 and Quintus Smyrnaeus, VI, 247-250), Johann Heinrich Lips, 1806

drawings by johann heinrich füssli in the metropolitan museum of art johann heinrich lips

Hercules and the Hydra; wielding a torch he attacks the winged, multi-headed Hydra in rocky landscape, a hawk attacks a heron in the sky, Antonio del Pollaiuolo, circa 1500–1520

engravings of mythology in the metropolitan museum of art cristofano di michele martini (il robetta)

Apollo seated at the right with a lyre on his knee, pointing to a kneeling man who is about to flay Marsyas who is tied naked to a tree at left, Master of the Die, 1530–60

prints by master of the die philippe thomassin

Fontainebleau Frescoes - *Apollo, Pan, Putto (Primaticcio)*, Francesco Primaticcio, 1560s

school of fontainebleau,mantuan school,mannerism giorgio ghisi

Diana returning from the chase, accompanied by dogs and her nymphs at left, two satyrs at right, Robert de Launay, circa 1808

prints of mythology in the metropolitan museum of art robert de launay

Plate 7: Pluto in a niche, holding a bident, with Cerberus next to him, from a series of mythological gods and goddesses, Giovanni Jacopo Caraglio, 1526

gods in niches, engravings by jacopo caraglio prints in the metropolitan museum of art

Absyrtus' limbs presented in a wrapped cloth to his father, from: The Story of Jason and the Conquest of the Golden Fleece, Léonard Thiry, 1563

works after léonard thiry rené boyvin

Plate 15: Psyche telling her sisters about her misfortunes, with her sisters falling off of a precipice at upper left, from the Story of Cupid and Psyche as told by Apuleius, Master of the Die, 1530–60

prints by antonio salamanca prints by master of the die

Plate 21: Female personifications of Sorrow and Pain at right punishing Psyche at the behest of Venus, who sits at right, from the Story of Cupid and Psyche as told by Apuleius, Michiel Coxie, 1530–60

prints by antonio salamanca prints by master of the die

Plate 30: Venus and Cupid pleading their case before Jupiter and other Gods with Mercury transporting Psyche to the heavens at lower right, from the Story of Cupid and Psyche as told by Apuleius, Master of the Die, 1530–60

prints by antonio salamanca prints by master of the die

Plate 22: Venus standing at right ordering Psyche to sort a pile of grain, at left the same pair hold a loaf of bread, from the Story of Cupid and Psyche as told by Apuleius, Master of the Die, 1530–60

prints by antonio salamanca prints by master of the die

Hercules and the Nemean Lion: Hercules grasps the shoulders and chest of the lion, which is viewed from the back, beside a rocky outcrop, Giulio Romano, circa 1530–87

adamo scultori mannerism

Plate 20: Juno, standing at left, sends away Psyche, who kneels before her, from the Story of Cupid and Psyche as told by Apuleius, Michiel Coxie, 1530–60

prints by antonio salamanca prints by master of the die

Plate 3: Psyche's two sisters are married to kings, with Psyche standing at left, accompanied by another king, from the Story of Cupid and Psyche as told by Apuleius, Master of the Die, 1530–60

prints by master of the die prints by antonio salamanca

Plate 25: Psyche setting off in Charon's boat, ignoring the old man at left who requests alms, from the Story of Cupid and Psyche as told by Apuleius, Master of the Die, 1530–60

prints by antonio salamanca prints by master of the die

Plate 26: Psyche enters the underworld giving an offering to Cerberus, with two elderly women at left, from the Story of Cupid and Psyche as told by Apuleius, Master of the Die, 1530–60

prints by antonio salamanca prints by master of the die

Plate 5: Psyche, seated, being taken to a mountain with a musical troupe lead the way, from the Story of Cupid and Psyche as told by Apuleius, Master of the Die, 1530–60

prints by master of the die prints by antonio salamanca

A partly naked bacchante stepping forward and holding ends of her drapery in each hand, set against a black background inside a rectangular frame, Vincenzo Feoli, circa 1795–ca. 1820

domenico del frate vincenzo feoli

Apollo, Pan, and a putto blowing a horn, from a series of eight compositions after Francesco Primaticcio's designs for the ceiling of the Ulysses Gallery (destroyed 1738-39) at Fontainebleau, 1560s

school of fontainebleau,mantuan school,mannerism giorgio ghisi

agapito franzetti neoclassicism

A bacchante wearing a flowing drapery, looking down, right arm bent and left arm outstretched, set against a black background inside a rectangular frame, Antonio Ricciani, circa 1795–1847

agapito franzetti luigi agricola

A bacchante holding a sword in her left arm and a branch with fruit in her right hand, set against a black background inside a rectangular frame, Antonio Ricciani, circa 1795–ca. 1820

agapito franzetti luigi agricola

Hercules, Bacchus, Pan, and Saturn, from a series of eight compositions after Francesco Primaticcio's designs for the ceiling of the Ulysses Gallery (destroyed 1738-39) at Fontainebleau, 1560s

school of fontainebleau,mantuan school,mannerism giorgio ghisi

Putti with Mars’ Arms - *Helmet, Garland, Shield, and Lance*, Benigno Bossi, 1769

ennemond-alexandre petitot benigno bossi

Eros Escaping by Sea; Cupid using his bow to propel a boat made from his quiver with an arrow as the mast and his blindfold as the sail, a banderole above, Marco Dente, circa 1515–27

prints by marco dente in the metropolitan museum of art prints of mythology in the metropolitan museum of art

Plate 18: Venus in her dove-drawn chariot complaining to Jupiter, who is accompanied by Mercury and an eagle, at left Mercury has descended to earth, from the Story of Cupid and Psyche as told by Apuleius, Master of the Die, 1530–60

prints by antonio salamanca prints by master of the die

Minerva depicted at top with a shield and arrow vanquishing the Giants below, from Barberinae aulae fornix, Pietro da Cortona, circa 1677

works by pietro da cortona baroque

Jason and the Dragon, Salvator Rosa, circa 1663–1664

engravings by salvator rosa baroque

Plate 16: A white bird tells Psyche of Cupid's illness, as she rides dolphins on the sea accompanied by tritons and nereids, from the Story of Cupid and Psyche as told by Apuleius, Master of the Die, 1530–60

prints by antonio salamanca prints by master of the die

A partly naked bacchante holding a disk in her raised left hand and a bucket in her right, set against a black background inside a rectangular frame, Domenico Del Frate, circa 1795–ca. 1820

domenico del frate vincenzo feoli

A partly naked bacchante holding a disk in her left hand and raising her garments with right, set against a black background inside a rectangular frame, Domenico Del Frate, circa 1795–ca. 1820

domenico del frate vincenzo feoli

Hero crowned by Victory, who places a laurel wreath on his head, Venus and Cupid at left, Envy at left in the background, Silenus on the ground, under the hero s foot, Pieter Tanjé, ca. 1735–61

prints of mythology in the metropolitan museum of art pieter tanjé

Dream of Aeneas, Aeneas rests on his shield, while the river god Tiber points upward, Salvator Rosa, circa 1663–1664

engravings by salvator rosa baroque

A partly naked bacchante seen from behind, facing right and holding an oval dish in her left hand, her drapery in her right, set against a black background inside a rectangular frame, Antonio Ricciani, circa 1795–ca. 1820

agapito franzetti luigi agricola

Mercury Turning Aglauros to Stone (Aglauros a Mercurio in lapidem transformatur), from The Metamorphoses of Ovid (Metamorphosean Sive Transformationum), plate 20, Antonio Tempesta, Published after 1606

willem jansz.renaissance

Dream of Aeneas: Aeneas rests his head on his hands atop his shield, while the river god Tiber leans on a vessel and points upward with his left hand, Salvator Rosa, circa 1663–1664

engravings by salvator rosa baroque

Dream of Aeneas: Aeneas rests his head on his hands atop his shield, while the river god Tiber leans on a vessel and points upward with his left hand, Salvator Rosa, circa 1663–1664

engravings by salvator rosa baroque

Dream of Aeneas: Aeneas rests his head on his hands atop his shield, while the river god Tiber leans on a vessel and points upward with his left hand, Salvator Rosa, circa 1663–1664

engravings by salvator rosa baroque

Vulcan seated forging Cupid's wing by Nicoletto da Modena, between 1500 and 1510

engravings of mythology in the metropolitan museum of art nicoletto da modena

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